• It appears some of the “old” tried and trues for glass are starting to fall by the wayside. Just when you think the world, in certain respects, is locked down and won’t ever change; well the only constant is change, isn’t it?  It dawned on me recently when talking to Bill Lingnell (who’s forgotten more about glass than I’ll ever know) that I might be leaving some very important caveats out of my responses to architects’ questions.  Changes are occurring to what I thought were some pretty basic and widely accepted practices.

    For example, a common question architects ask is, “just how big a piece of glass can be made?”  Responses, after “it depends” include:

    The standard largest size most manufacturers will produce is 84” x 144”.  Some of them will publish larger, but you need to check with them.

    1. Some of those same manufacturers will make even larger sizes, but at a premium.  There are specialty glassmakers that will produce large lites, but that option’s not cheap.
    2. The glazier who gets to install the job has to be willing to work with the larger sizes.  Some do not; that will be reflected in their pricing.
    3. Can the budget accommodate the sizes being considered?
    4. For clarification on any of the above, PLEASE CHECK WITH THE MANUFACTURER WHOSE GLASS IS BEING SPECIFIED.
    5. All of the above.

    For most glass-related questions, all of those answers are SOP, right?  “Wait just a second, Kemosabe,” said the masked stranger.

    Another typical question I hear is: “Can we have two IGU lites butt up against each other without a framing member behind them?”  This, also, used to be a no-brainer, with the immediate response being, “NO!”  The “L/175 or ¾” whichever is less” limit on structural deflection of frame members came from the IGU manufacturers worried about edge seal integrity, and wanting to limit how much deflection the glass actually experienced under full load.  But, it appears some of the manufacturers are loosening up on this a bit.  So again, answer #5 above applies: check with the manufacturer.  If you use their units, you might be able to delete the horizontal.

    “If the horizontals are deleted, the dead load of the glass has to be dealt with, what are your expectations for how that can be detailed?” Without a horizontal, the normal response is there is northing that should be visible.  Ok, that works on paper, but in practical terms?  Someone recently sent me shop drawings in which the manufacturer developed a shelf screwed to the face of the mullion, and the glass was set on setting blocks completely encapsulated in the glass thickness so it was not visible.  The blocks, if not at the corners, were pretty darn close to it.  A LOT closer than the 1/8 or ¼ points of the glass width dimension commonly practiced within the industry.  If the framing manufacturer will sign off on it, and answer #5 above is confirmed, then why not?

    Bill pointed out that factors impacting permissible edge deflection include the spacer material and sealants used, as well as the process of constructing the IGUs.  Putting setting blocks at corners might depend on the quality and thickness of the glass cut and/or if the glass requires heat strengthening or tempering.

    But, here’s where the light bulb came on for me in our conversation:  Not only does the manufacturer have to sign off on it, the architect MUST (and this is really a biggie) repeat, MUST specify that no exceptions are permitted:

    It is NOT reasonable to assume that while one manufacturer will allow certain detailing, all other manufacturers will, also, if their products are used instead of the first manufacturer’s.

    IF ABC Glass allows the installation of the glass with corner edge blocks, and then XYZ gets the job because they’re cheaper, but XYZ doesn’t permit the glass to be installed on corner edge blocks, and the glass later has abnormally large amounts of breakage that are directly attributable to the corner setting blocks, what happens next?

    I’ve got a dollar that says ABC Glass won’t come to the rescue.  Will XYZ take the heat?  How about the architect or the glazing sub? I don’t know the answer to these questions, but this thought comes to mind:  “Welcome to Construction Law 101, class has just begun.”

    My response to architects’ glass questions for these and similar topics is going to be, “Check with the glass manufacturer whose product you’re considering specifying, and make sure their glass actually gets on the job, or qualify the tar out of any ”or equal” glass manufacturer / supplier statements. 

    The single biggest way of doing that is to share the glass specs with the “basis of design” glass supplier, and more importantly with any “or equal” suppliers, and make sure they understand what is required for the job.

    Most good glass specs will REQUIRE technical reviews from the glass supplier.  Don’t skip this; they’ll do it during bidding if you ask them. If the specs don’t require it, do it anyway.  Reputable manufacturers will have technical support staff for this very reason. It’s been my experience those folks are capable.  Having a letter in the file that says they signed off on the application is pretty cheap insurance.  If they don’t have a technical department, don’t buy their glass for that project.

    Special glass applications keep coming.  And, are likely to keep coming.  A case in point: A presentation two years ago at BEC caught my attention: Point-supported (spider) glazing without holes in the glass for the spiders.  The spiders were structurally adhered with a special silicone sealant to the interior face of the glass.  This came to mind a couple of days ago when a sealant manufacturer announced a product they are bringing on the market for this application.  So, if a job comes up with that on it, the glass manufacturer is going to have to sign off on it, right?  Please say yes!

  • In past blogs I’ve reflected on the use of glass in some very strange conditions:  the Willis (Sears) Tower observation booths, the bottom of a gondola on hot-air balloons, and the walkway over the Grand Canyon that allows a one-mile straight-down view. This amazing material our industry works with is remarkably adaptable to changing human needs.

    I’ve always been amazed at what architects ask us in the industry to do with glass, and our ability to innovate and deliver is remarkable. We now use glass in combination with other materials to protect people from fire, bomb blasts and hurricanes. All this from something that’s been around since the Mesopotamians came up with it (credited in 3500 BC). No other building material I can think of, except wood or stone, has been around as long. Artists also have used glass in everything from medieval rose windows in cathedrals to glass bowls that are almost 40 inches in diameter, according to Guinness.

    Glass can be tinted, filmed and used in a myriad of constructions:

    • By itself as “clear” glass (even that definition has changed, now a.k.a. low-iron glass);
    • Laminated with other lites;
    • Made into double- and triple-glazed units to provide wind, water and thermal protection; and
    • As a shading device (with frits and patterns).

    I could go on ad infinitum: it’s used as handrails, keeping occupants safely on balconies or overhangs; as a touch medium on smart phones and pads, etc.

    Adding to the wonders, glass keeps getting thinner, stronger and is asked to do more and more in the evolving tech world.

    I’m no engineer, but one of its fascinating characteristics is that regardless what you do to strengthen it, it deflects the same under load.  Annealed to heat-strengthened to tempered, the relative strength ratio is 1:2:4.  But under a uniform load and a constant thickness, the glass deflects the same. I don’t know of any other material that behaves that way. With any other material, if you strengthen it, it deflects less.

    Glass is heat-treated (heat-strengthened or tempered) for strength to meet several loading criteria. For thermal needs, primarily to be able to absorb direct sunlight, or because of other things done to the glass, such as tinting or filming. Thermal loading can come from adjacent, reflected loads, as well.  When reflective films are added to glass, and then placed on inside corners where direct and reflected sunlight can result in high loads, treating the glass to resist that load requires that it be strengthened.

    Its ability to absorb wind or impact loads also requires it to be heat–treated.  It serves double-duty in these instances: when tempered and used in doors, tempering can provide safety to users. And even here, there’s an alternative, but still that alternative involves glass: it can be laminated, instead.

    Bending, warping and forming glass into three-dimensional configurations is coming into vogue.

    So, amid all the concern about how people use glass in handrails, all the glass geeks out there looking at the glass, not through it, and the limits being put upon the architects to cut down on it, let’s not lose sight of the fact that, like wood and stone, glass has been successfully modified to do other things for us.

    I hope the public realizes, as the folks at the GANA’s Annual Conference recently learned, that glass is essential for human wellness. Namely, basking in sunlight directly affects our well being, yet since most of us are often indoors, we rely on glazing for access to full-spectrum light. We can’t all sit in the sun every day with one of those drinks with the tiny umbrellas in them, but instead have to work in what we tell our kids is the “real world.”

    In both our personal and professional lives, we obviously have a vested interest in making sure we do all we can to get smarter about how glass can and should be used. Hopefully, the storm clouds surrounding glass will motivate us all to do more with glass, not less.  I think we have a friend in the architects, as I don’t see them willingly accepting the efforts of those who would limit the use of glass.

    As the song says: “I can see clearly now, the rain is gone.”  The clouds may not be entirely gone, but here’s to more light and vision using glass. I’m betting on something that’s already been around for 5,500 years hanging on a lot longer.

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  • Recovering from the holidays is a drag!  First, you use up all your vacation, then, you come back to reality and realize there are five-day workweeks staring you square on until May. And, no matter the job, there are always those tasks that make it seem as if time stops. Anybody have the least favorite part of their jobs they do, because it has to be done, but it’s mentally wearing or takes an inordinate amount of time?

    My list has two things on it: fab tickets and doors/door hardware.  Don’t get me wrong, they’re necessary, but for me are mentally exhausting.

    Fab tickets are tough, because up until that point, shop drawings, estimates and material takeoffs are all theoretical.  But since the saw’s going to start hitting metal as a result of what is drawn on fab tickets, the information on them is no longer theory; it’s as real-world as it can get.  They have to be right; there’s no longer any room for error.  And even if there’s one hole more or less on this part vs. the next part, another part drawing has to be created.  Doing fab tickets wears me out, but it’s how things get done. If programs like Revit and/or Inventor have their way, maybe fab tickets will go away.  Maybe not before I retire, but soon enough.

    The cellar-dweller for me has always been doors and door hardware.  First, I have yet to see a hardware specification that is 100-percent accurate when it comes to the hardware fitting either in the door, or with the other hardware specified.  Sure as the sun comes up in the east, something doesn’t belong with the rest of the group.  And, there’s usually not enough time in estimating to ferret all those conflicts out.  So, typically, the spec hardware gets priced, and any conflicts aren’t resolved until …

    Someone starts pulling hardware cut sheets and tries to do shop drawings for the doors. Then the questions and issues pile up: where is everything located, up/down, left or right? Or, this panic can’t work with that push/pull, the lock interferes with the throw-rods of the panic, or that lock is meant for a wide stile door rail, not a narrow one, that pull won’t work with that door thickness, or there’s a custom connection device, etc.

    Not to mention swing definitions.  Can I vent here a minute about what I thought the door industry definition was for many years? I was initially trained that if you put your back on the hinge jamb of the door, if the door swung away to your right, it was a right-handed door, and vice-versa for left-hand doors. Come to find out, that was an over-simplification.  Do you know what the door and door hardware industry uses for naming the swing? It’s confusing as all get-out to me. What does the in-swing or out-swing have to do with it?  OK, off the soapbox.

    And once approved, and the fabrication can begin, other conflicts may then come to light, and the process of finding out what it’s going to take to make it work is researched, and then getting approval to make the change starts all over.  Some days, when you’re in the middle of all this, you pray for the world to end, and you think you’re never going to do anything ever again. It’s downright vicious!

    The way around all this rigmarole is multi-faceted. If you have a really good hardware supplier, he gets the biggest Christmas present, birthday present, anniversary present, etc.  If you have season tickets to sporting events (yes, that means you, Lyle), he gets multiple dates without question.  I’d go so far as putting him on retainer, but that’s above my pay grade.  He’s definitely worth it if he can assist your firm in staying out of the hardware quagmire.  Try doing without this resource sometime.  See how far that gets you.

    The second solution is having someone on the shop floor who is only next to God and the hardware supplier when it comes to their encyclopedic knowledge of hardware.  The hardware supplier might be worth his weight in gold, but the mechanic is worth it in platinum. At my first job, we had a guy that all he did in the shop was doors and door hardware. You could ask him anything – the most experienced drafters and project managers–and even the boss–sought his opinion. He would have been the last let go had there been a reduction in force; he was that good.

    Third, admit you don’t know it all and listen to anybody that’s been there. But, get smart really fast, because when that submittal’s made, you’re likely going to need to be the smartest person in the room. You better have it down so cold you can anticipate any question from anyone in the room, and have the answer down pat! Saying, “I don’t know” can be humbling, and it’s sometimes better to admit that than fake your way through, but if you say it here, you shoot your credibility.

    And fortitude. Stick to it. One day, you’ll walk through those doors, and wonder of wonders, they’ll work.  My hat’s off to the guys who do this in the shop! God bless you, some of the rest of us would still be using burlap blankets to keep the wind and rain out.  We may not ever be able to repay you, but we’ll certainly always owe you one. And to Servin, thanks. You gave me a heck of an education, man.

    P.S.With MLK day coming up next week, I highly recommend one of his last sermons, “The Drum Major Instinct.”  It moves me because it’s about remembering who you are, where your priorities should be, and how easy it is to get caught up in things that in the end aren’t very important.  In certain aspects, MLK was certainly someone who could have been considered a drum major, but probably knew from firsthand experience how hard that is to deal with on a personal basis.  My wife makes me read it regularly; I wonder why that is.